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F-LOG

“You know, this should cost ten dollars…”

April 28th, 2008

Today and tomorrow we’re handing out free copies of Issue 18 on the fountain-laden campus of the University at Albany.  It rains, a bit, and so our intern Diana has to work extra-hard for attention and to keep her body temperature up.  Abutting tables sponsor dance troups and fraternities, environmental clubs, the girl scouts (and their cookies)….  Who will pay attention to Fence, even with a mountain of dum-dums, and FREE signs practically scotch-taped to our chests?

In truth, a large proportion (more than 90%, I’d wager) of the student population here at the U of A have no idea that Fence exists.  Our offices comprise a corner of a sparsely-traveled floor in a lovely new library thankfully attached to the campus center, which grants a shorter distance to coffee and sbparro’s.  This Thursday we’ll launch the second issue compiled and edited here in Albany, and will host our third on-campus event.  If you’re nearby, and you’ve heard or over-heard of Fence, be reminded:

Issue 19 Launch Reading / / May 1, 8 pm / / Standish Room, 3rd floor, Science Library

Readers: Michael Comstock, Karen Garthe, Vivian Heller, and Douglas A. Martin

Devolution of a Literary Correspondence

April 21st, 2008

One of the strangest corollaries of being a literary journal editor is being made aware from time to time of how many contributors there are out there silently hating you for a multitude of perceived offenses, however real or unreal. The below correspondence is real, but identifying facts have been changed to preserve anonymity of contributor/correspondent. Note that I, Rebecca Wolff, was the first to get truly offensive, but also note that I have developed, over the years, a deficit of patience with contributors who act as though I am somehow out to get them. Also note that I have given myself the last word here; for all I know XXX will choose to ignore my final command and will speak to me again. I’ll keep you posted.

*

February 14

Hi Rebecca Wolff,

Recently you were kind enough to accept two of my poems for the current issue of Fence. Do you send out contributors copies? Just wondering because I haven’t received anything yet.

Thanks
XXX XXXX
XX E. XXXXX Street Apt 16
New York, NY 1xxxx

PS Saw the website. Thanks for posting XXXXXXXX!

*

February 14

XXX,

Did you used to live in XXXXXXXX, NJ?

R

*

February 14

Yes. My parents live there, so if you sent it there I will get it eventually.

XXX

*

April 6

Rebecca Wolff:

Well, I finally found the time to pick up a copy of Fence—not easy, since I work three grueling shit jobs, and don’t have time to track these things down—and it’s a good issue.

Regan Good’s poem The Atlantic House, in particular, is a knockout. I can’t say the same for the way you treat your contributors, though. I edit a XXX-page journal and even though it’s tough on me financially, I make sure every contributor gets a free copy.

The fact that you’re backed by a university and still can’t fork up a lousy contributor’s copy is unforgivable. The fact that you couldn’t even answer my simple question as to whether or not you provide complimentary copies is even worse. I guess my question wasn’t intellectually-ambitious or post-post-post-avant enough for you.

XXX XXXX

*

April 6

See below; eat shit and die.

Sincerely,

Rebecca Wolff

“February 14

XXX,
Did you used to live in XXXXXXXX, NJ?
R

February 14
Yes. My parents live there, so if you sent it there I will get it eventually.
XXX”

*

April 20

What is this supposed to mean? I was just at my parents last week and no Fence, and this months after it came out. Is “eat shit and die” your way of saying you sent it to me? [Editor’s note: What I should have said was: “No, eat shit and die is my way of saying check your facts, you corroded node, before getting on your high horse to send me an email accusing me of not doing my job.] If you DID send it to me, you could’ve just said so and all this could have been avoided. Like I said, it never got to me. I’ve supported you for years, buying your mag and sticking up for it when my writer-friends basically condemned it.

Let me share a brief anecdote:

One spring day when I was sixteen, my friend and I were posting flyers at XXXXX Academy (private school for rich kids) for a concert our metal band was playing. The board was in the dining hall and soon as we walked into the room–two skinny long-hairs–the place went dead. Then someone yelled “Throw them out!” and we were basically driven out on a rail. It wasn’t traumatic at all, but the memory has remained for its novelty, I think it’s kind of funny, actually. But more to the point, I’ve always thought of that dining hall as being the equivalent of Fence (read: snobbery). You’ve proven me right.

XXX

*

April 20

XXX,

I just don’t take kindly to receiving accusatory mail. Read your email to me and you will see that you are attacking me for not responding to your initial query when, in fact, as I showed you in my response (and that’s why I said “E. S. & D,” because I was proving you wrong), I DID respond to your query. Yes, I sent the issue to the NJ address; I don’t know why it never reached there but all you had to do was write back politely and say that the issue never reached there and I would gladly send another. Instead you wrote me a snotty note–I am not responsible for your or anyone’s neurotic complex about high school–implying that I had not responded to your query, when in fact I had.

If you would like to give me your correct address I will send the issue there.

RW

*

April 21

Becky Coyote,

God you are a vile human being. Saw your photo at Norton Poets Online and in Poets and Writers–your looks match up with your personality perfectly. No wonder you have issues. And I feel sorry for your kid–I’m sure he’ll grow up to be mean and ugly, just like his mommy.
*

April 21

You’re a total loser. Never speak to me again.

Ariana Reines on the Radio

April 18th, 2008

On April 24, from 2:30-3:00 pm on KRCW in Los Angeles, FENCE poet Ariana Reines will discuss the importance of recovering the “I” of the poet with Bookworm host Michael Silverblatt. 

Hear her live, if you’re in LA, or in perpetuity thereafter on the KRCW Bookworm website: http://www.kcrw.com/etc/programs/bw  (downloads and podcast available)

And see her in Berkeley that night, 6:30 pm, as part of the Holloway Series in Poetry. 

Details at: http://holloway.english.berkeley.edu/Upcoming/page36.html