#36 / Winter / Early 2020
Zebulon Huset / Jose-Luis Moctezuma / Lesle Lewis / Anna Morrison / Wayne Koestenbaum / Peter Giebel / Daniel Tiffany / Jamie Thomson / Makmak Faunlagui / Strummer Hoffston / Rose Knapp / Adam Day / Ava Hofmann / Michelle Taransky / Phyllis Peters / Raquel Gutierrez / Stephen Ira / Gabrielle Jennings / Dong Li / Sarah Heady / Paco Marquez / Jacqueline Goss / Robert Lopez / Mike Crossley / Angie Sijun Lou / Kathleen Heil / David Schuman / JoAnna Novak / Adrienne Walser / Adam Kinner / Damon Moore / Charles Legere / Colleen O'Brien / John Patrick McShea / Jackie Clark / Matthew Broaddus / Chris Stroffolino / Lloyd Wallace / Robin Rahija / Rachel Galvin / Erin Trapp / Suzanne Scanlon / Evan Harris / Isaac Pickell / C. R. Grimmer / Matthew Kosinski / Brandon Downing / John Maradik / Emma Winsor Wood / Nancy Klepsch / Kirsten Kaschock / Alyssa Claire Greene / Kate Shapiro / All the Stars in the Sky: Kevin Killian’s Amazon Reviews
“It is not tiring to count dresses.” GERTRUDE STEIN 1 This dress I am wearing in this black-and-white photograph, taken when I was two years old, was a yellow dress made of cotton poplin (a fabric with a slightly unsmooth texture first manufactured in the French town of Avignon and brought to England by the […]
The headache is the limit, the circle, the disk. The black horizon. Sometimes it’s a dull, red glow, soft latitudes of pain. Or a field of searing, orange craters. They burst open through the dark. Or, with a gentler hurt: tall, blowing vanes of magnetized color. Sometimes it’s still. Maybe then, it sleeps. When it […]
Oonseentia. I go out into the city and find a tulip tree, the tallest tree I can find, the tree called oonseentia by the peoples native to this land, the tree these native peoples use to build their canoes. I intend to build a canoe of my own. I wait for lightning to strike and […]
Screen Shot is a space for writers to investigate the relationship between language and film, from narrative viewing experiences to Zoom meetings and Instagram stories. We are committed to discovering writers who use words as a tool for exploring the event of cinema, video, and the spectacle of our lives....
The FENCE Cast episodes include the published journal's contents read aloud by the authors, conversations, music, and other audio adventures.
Fence Books is scaled down through 2021 while the editor is committed to public service in her home city. During this time we are publishing The Ottoline Prize, and seeking fiscal sponsorship for our two other book prizes: The Fence Modern Poets Series and the Fence Modern Prize in Prose. Contact the editor with questions and ideas.
Multimedia electronic poetry, fiction, and hybrid works that reify the emergent “thingness” of the digital
A place of variousness: creative-critical engagements with poetry and the poetry-adjacent arts
